![]() ![]() It also helped to juxtapose the grit and decay of the sets in the new movie with the colour of the family in the expanded world,” adds Krasinski.Ĭreative influence was drawn from filmmaking greats such as Steven Spielberg - Jaws (1975) and Jurassic Park (1993) especially inspired Krasinski – and Ridley Scott’s Alien (1979) , as well as modern westerns such as the Coen Brothers’ No Country for Old Men (2007) and Alfonso Cuarón’s fast-paced Children of Men (2006). “We were making a modern Western and wanted to capture the epic landscape and intimate drama within it,” says Morgan. “I wanted to keep the warm, saturated colour of the first movie, so Polly decided to continue using 35mm celluloid film. Evelyn (Emily Blunt) and the Abbotts silently seek refuge from blind creatures that hunt by sound Authenticity was vital, so the furnace set needed to feel small and claustrophobic “I imagined people watching the movies back-to-back, so I wanted to continue Charlotte’s look and feel, referencing some of the visual language,” she says. The action in A Quiet Place – beautifully lensed by Charlotte Bruus Christensen ASC – mainly unfolds in a farmhouse. While the family’s journey and world expand in the sequel, Morgan wanted a seamless transition between the films, not a distracting change in look. “It becomes a race for survival, requiring a dynamic camera, that was a participant in their journey,” adds Morgan. Our story is so chaotic and insane at times that I wanted to be able to open it up, close it down, then open it back up again, almost like the aperture of a camera.” “We shot the first film on just a few key sets in and around New York’s Hudson Valley, but for A Quiet Place Part II, I wanted to completely open up the film’s universe to show the scale and how the whole world is under siege,” says Krasinski. “I had a vision of a road movie with characters weaving in and out of spaces which are both intimate and vast. “It becomes a race for survival, requiring energy in the camera – it needed to go on this journey with them.” Polly Morgan BSC ASC Polly Morgan BSC ASC found shooting on film “amazingly freeing” The story’s continuation in the second instalment follows Evelyn (Emily Blunt) and her children Regan (Millicent Simmonds) and Marcus (Noah Jupe) as they explore the world beyond. There’s the action aspect, but at its heart, it’s a family drama.”īefore exploring visual concepts for A Quiet Place Part II, Morgan and Krasinski discussed the energy and premise of the A Quiet Place (2018) – a more intimate experience set in a post-apocalyptic world that sees the Abbott family silently seeking refuge from blind creatures that hunt by sound. The central story of the family trying to survive together was appealing, especially as I was a new mother when filming began. “The wonderful thing about this film is people’s physical reaction when watching it, the gasps of fear or responses to the touching moments. The script was a blueprint for how we would execute the movie,” says Morgan. “John wrote the film how he saw it, so the beautifully visceral storytelling drew me in immediately. That connection to the narrative was achieved in the cinematographer’s latest creative venture, Paramount Pictures’ A Quiet Place Part II, as the visual language in writer-director John Krasinski’s script ensured the characters, locations, and action-packed yet heartfelt story were vividly communicated in an “immersive and emotive” form. “The scripts that draw me in are those with a strong emotional core balanced with powerful visual landscapes that I feel connected to,” says Polly Morgan BSC ASC. ![]() As the tension builds, roving cameras follow their journey, with the texture and dilapidation of the abandoned surroundings beautifully captured on 35mm film. SILENT TERROR The family focus remains at the heart of the story in A Quiet Place Part II as the Abbotts face new threats exploring the wider post-apocalyptic world. ![]()
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